Herb Trimpe (born May 26, 1939) is an American comic book artist, probably best known for his lengthy run pencilling Marvel Comics' the Hulk, which included the first appearance of Wolverine. In the late 70s and 80s, he worked on many of Marvel's comics that dealt with licensed properties, including G.I. Joe and Transformers.

In addition to working on issues 11, 12 and 20, he drew a number of covers for the series as well. Due to his familiarity with both properties, he was the artist tapped to draw the G.I. Joe and the Transformers limited series.

    Mayerik quickly found more assignments, penciling Marvel's adaptation of H.G. Wells' The Invisible Man, over Adkins layouts, in Supernatural Thrillers # 2 (Feb. 1973); and doing his first full penciling, with writer George Alec Effinger's adaptation of Lin Carter's "Thongor! Warrior of Lost Lemuria" story "Thieves of Zangabal", in Creatures on the Loose # 22 (March 1973).

    Mayerik became the regular artist of the swamp-monster feature "Man-Thing" in Fear #13 (April 1973). Six issues later, he and writer Steve Gerber introduced Howard the Duck.Initially a minor supporting character intended only for an issue or two, the anthropomorphic waterfowl — bedecked in suit and tie as a parody of funny animal ducks, except for his cigar-smoking and his angry, ascerbic wit — Howard eventually became a star character with his own satiric series, penciled first by Frank Brunner and then Gene Colan. The character shortly afterward became a mainstream pop-culture figure. Mayerick continued to pencil both the "Man-Thing" and "Thongor" series until the former received his own title, for which Mayerik drew the premiere issue (Jan. 1974).

While also doing scattered horror/fantasy/science-fiction anthology stories, Mayerik teamed with Gerber on a second series, the Living Mummy, in Supernatural Thrillers, and took over the art on The Frankenstein Monster. With writer Doug Moench, he did a monumental adaptation of Sir Arthur Conan Doyle's Sherlock Holmes novel The Hound of the Baskervilles in the black-and-white magazine Marvel Preview # 5-6 (April & Spring 1976). He also penciled the final six issues of the 20-issue, 1974 to 1977 jungle-lord series Ka-Zar.

Also interested in acting, Mayerik appears in The Demon Lover (1977),a low-budget horror film shot in and around Detroit, Michigan.    In early 1977, Mayerik moved to New York City, where he acted off-off-Broadway and found work with artist Neal Adams' Continuity Associates studio, sharing space with fellow fledglings Howard Chaykin, Walt Simonson, and Jim Starlin.

           During this time, he drew the first Howard the Duck Annual (May 1977) and Howard the Duck #22-23 (March–April 1978). He was also an artist on the Howard the Duck newspaper comic strip in 1977.[citation needed] He co-plotted and co-scripted, in addition to drawing, Howard the Duck #33 (Sept. 1986), the second and last issue of a short-lived series revival coinciding with the release of the movie Howard the Duck. He expanded beyond his prolific Marvel work to draw for Heavy Metal magazine and the Warren Publishing line of black-and-white comics magazines; the latter work included the continuing samurai feature "Young Master", reprints of which appeared as backup stories in Mayerik and writer Larry Hama 1987-1989 Young Master series published by New Comics Group. Mayerik left New York City in 1981, moving first to Cleveland, Ohio, where he did local TV and film work and regional theater in addition to his art, before settling in Oregon in 1993.

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